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    • Diáspora
    • Fiesta Latina
    • Nova Boss
    • Phasma
    • Rory
  • Blog
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    • Diaspora Collective
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Unresolved Queries (3) - Reviews

13/10/2016

 
  • Blog
  • Correspondence
<
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This post highlights a straightforward communication issue on the part of the client. This client could have simply indicated from the outset (11/10/2013) that they were not willing to offer any feedback, which wouldn't have been an issue.

​However, their inability to communicate has rebounded on them leading to frustration. Ultimately, it amounts to a pending/unresolved database query - which was eventually resolved and ticked off. ✅
From: Claire
Subject: Re: Testimonial - 01/09/2013 - Diáspora
Date: 13 October 2016 at 17:00:00 BST
To: DM
Cc: "LM", Production

​​Hello David,
Thank you for your feedback, which is very much appreciated. I’m disappointed to know that your experience was less than satisfactory; and obviously glad that you brought this to my attention.
Although you’re correct that this event was over 3 years ago: your feedback is absolutely still relevant to us, and we use this to evaluate and ultimately improve our services going forwards. Unfortunately, we received no response to any of our emails, and I concluded that you had either not received the emails or that they had slipped your mind. Therefore, it remained as an unresolved query on our system.
However, as discussed, I’m extremely grateful for feedback in all forms, and, in the spirit of redemption, I'd like to offer you a pair of complimentary tickets to see the 12-piece Diáspora + Fiesta Latina live at The Jazz Café on 30th October (details attached). I’d also like to offer you a 10% discount for future bookings on any of our ensembles.
Please let me know if you’d like to take up any of these offers, and once again my sincerest apologies for the dissatisfaction experienced.
Many thanks,
Best Wishes,
Claire Maillot
http://thejazzcafelondon.com/event/a-celebration-of-cuban-music-30-10-16

On 13 Oct 2016, at 09:25, DM wrote:
Dear Claire,
we receive an email every month from you, they appear to be written by hand as opposed to an electronic repeat send and thus i am surprised that you keep writing.
The event that you are asking for feedback on was over 3 years ago now.
firstly how can this feed back now be relevant , why wouldn’t you just assume that you are not going to receive any, as opposed to keep re sending emails?
secondly, the lack of response might suggest that we were not willing to offer any feedback, so again why keep sending emails.
thirdly, whilst you might deem negative feedback as an effective tool to shape future performances , its awkward to write as one wants to be sensitive in the response.
both LM and i were disappointed with the performance you gave on the day, as we felt whilst it was professional and competent, it completely failed to ignite any passion in the audience and thus didn’t really add to the atmosphere.
please do not send any further emails to us 
regards
DM

On 13 Oct 2016, at 09:00, Claire wrote:
Hello DM,
Hope you're well and healthy.
Following up on my previous messages regarding feedback, would you be able to provide us with a short testimonial for your booking of Diáspora on 01/09/2013.
Feedback is extremely useful for us, and testimonials allow us to give a fairer representation of our services to future/other customers.
We do not need anything too substantial; just a quick few words on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms.
On behalf of Diáspora, I would like to thank you again for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 19 Sep 2016, at 16:00, Claire wrote:
Hello DM,
Hope you're well and healthy.
Following up on my previous messages regarding feedback, would you be able to provide us with a short testimonial for your booking of Diáspora on 01/09/2013.
Feedback is extremely useful for us, and testimonials allow us to give a fairer representation of our services to future/other customers.
We do not need anything too substantial; just a quick few words on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms.
On behalf of Diáspora, I would like to thank you again for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 30 Aug 2016, at 09:00, Claire wrote:
Hello DM,
Hope you're well and healthy.
Following up on my previous messages regarding feedback, would you be able to provide us with a short testimonial for your booking of Diáspora on 01/09/2013.
Feedback is extremely useful for us, and testimonials allow us to give a fairer representation of our services to future/other customers.
We do not need anything too substantial; just a quick few words on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms.
On behalf of Diáspora, I would like to thank you again for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 17 Aug 2016, at 08:59, Claire wrote:
Hello DM & LM,
Hope you're well and healthy.
Following up on my previous messages regarding feedback, would you be able to provide us with a short testimonial for your booking of Diáspora on 01/09/2013.
Feedback is extremely useful for us, and testimonials allow us to give a fairer representation of our services to future/other customers.
We do not need anything too substantial; just a quick few words on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms.
On behalf of Diáspora, I would like to thank you again for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 18 Jul 2016, at 09:00, Claire wrote:
Hello DM & LM,
Hope you’re both well and healthy.
Following up on mine and Jo's previous messages regarding feedback, would you be able to provide us with a short testimonial for your booking of Diáspora on 01/09/2013.
Feedback is extremely useful for us, and testimonials allow us to give a fairer representation of our services to future/other customers.
We do not need anything too substantial; just a quick few words on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms.
On behalf of Diáspora, I would like to thank you again for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 4 Jul 2016, at 09:01, Claire wrote:
Hello DM & LM,
Hope you’re both well and healthy.
Following up on mine and Jo's previous messages regarding feedback, would you be able to provide us with a short testimonial for your booking of Diáspora on 01/09/2013?
Feedback is extremely useful for us, and testimonials allow us to give a fairer representation of our services to future/other customers.
We do not need anything too substantial; just a quick few words on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms.
On behalf of Diáspora, I would like to thank you again for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 20 Jun 2016, at 09:00, Claire wrote:
Hello DM,
I hope this message finds you in good health.
I'm following up on my previous message regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking of Diáspora on 01/09/2013.
Once again, let me highlight that we are not looking for anything substantial; just a quick comment on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy. We'd really benefit from the feedback.
Please would you be able to let me know if this is at all possible?
On behalf of Diáspora, thank you again for the opportunity and hope all was well.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 31 May 2016, at 12:01, Claire wrote:
Hello DM,
Thank you for inviting Diáspora to perform at your event on 01/09/2013.
I hope you enjoyed the performance, and that all on-the-day arrangements went smoothly and satisfied your requirements.
I would like to ask whether you could write a short testimonial for Diáspora, based on your experience of working with us.
We are not looking for anything too substantial; just a couple of lines commenting on the energy, style, performance and professionalism, and how you felt the band/set made an impact on your event. This feedback would be very much appreciated. Please let me know if you prefer me not use your full name for privacy purposes.
Meanwhile, and on behalf of Diáspora, I would like to thank you for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 29 Apr 2016, at 14:00, Claire wrote:
Hello DM,
My name is Claire Maillot.
Thank you for inviting Diáspora to perform at your event on 01/09/2013.
I hope you enjoyed the performance, and that all on-the-day arrangements went smoothly and satisfied your requirements.
I would like to ask whether you could write a short testimonial for Diáspora, based on your experience of working with us.
We are not looking for anything too substantial; just a couple of lines commenting on the energy, style, performance and professionalism, and how you felt the band/set made an impact on your event. This feedback would be very much appreciated. Please let me know if you prefer me not use your full name for privacy purposes.
Meanwhile, and on behalf of Diáspora, I would like to thank you for the opportunity, and I send you our best wishes.
Hope to hear from you soon,
Best Regards,
Claire Maillot

On 7 Mar 2016, at 10:00, Jo wrote:
Hi DM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking of Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 22 Feb 2016, at 12:00, Jo wrote:
Hi DM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 14 Dec 2015, at 13:00, Jo wrote:
Hi DM & LM,
I hope you are well, looking forward to Christmas?
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes for Christmas and the New Year 2016.
I look forward to hearing from you soon.
Thanks_Jo

On 30 Nov 2015, at 12:59, Jo wrote:
Hi DM & LM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 26 Oct 2015, at 14:00, Jo wrote:
Hi DM & LM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 22 Sep 2015, at 09:08, Jo wrote:
Hi DM & LM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 1 Sep 2015, at 13:30, Jo wrote:
Hi DM & LM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 18 Aug 2015, at 14:34, Jo wrote:
Hi DM & LM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 24 Jun 2015, at 17:24, Jo wrote:
Hi DM & LM,
I hope you are well.
I'm following up on my previous messages regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it is not a problem, as we appreciate feedback in all forms.
Meanwhile, on behalf of Diáspora, I would like to again thank you for the opportunity, and I send you our best wishes.
I look forward to hearing from you soon.
Thanks_Jo

On 5 May 2015, at 13:00, Jo Mantini wrote:
Hi DM & LM,
It’s Jo from Red & Black Music. I hope you are well.
I'm following up on my previous message regarding a possible testimonial.
We are building a publicity portfolio for future bookings to Diáspora and we would really appreciate it if you, as one of our valued previous clients, were able to provide us with a testimonial for your booking with Diáspora on 01/09/2013.
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism would be warmly received and much appreciated. If you prefer, I need not use your full name for privacy purposes.
Please would you be able to let me know if it is possible?
I look forward to hearing from you soon.
Thanks_Jo

On 11 Oct 2013, at 15:39, Red & Black Music wrote:
Hi DM & LM,
It's Jo from Red & Black Music / Diáspora. I hope you are well, and have had an enjoyable few weeks.
Could I could ask for your help? I was wondering whether you would be kind enough to write a short bit about Diáspora, which we can use to market the band. We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism of the band, as you see appropriate.
This would be as appreciated. I need not use your full name for privacy purposes.
May I take this opportunity to thank you again for inviting Diáspora to play at your party and I hope to hear from you again in the future.
Thanks,
Jo

On 9 Sep 2013, at 09:50, Red & Black Music wrote:
Hi DM & LM,
Just to let you know that the money has arrived safely. Many thanks for prompt payment.
Please do get in contact again should you require our services another time.
Thanks, best wishes
Jo

On 2 Sep 2013, at 09:10, Red & Black Music wrote:
Hi DM & LM,
Thank you for inviting Diáspora to play at your party yesterday. We hope that you had a great time!
I can confirm that the deposit of £130.06 was paid on 06/06/2013. I have attached an invoice for the remaining £957.14.
I hope that the one-the-day arrangements were smooth and to your requirements. Please let me know your thoughts / feedback on this booking as it is really useful for us.
Thanks again, best wishes
Jo (manager)

On 2 Aug 2013, at 12:51, Red & Black Music wrote:
Hi LM,
Thanks for the signed contract, which I have received in the post this morning.
We have everything confirmed with our suppliers.
Let's keep in touch over the month and do feel free to give me a shout if you have any questions or anything before the date.
Cheers,
Rory

On 1 Aug 2013, at 09:21, Red & Black Music wrote:
Hi both,
I hope that you are having a good week so far. How is everything going with the contract?
I was just a little anxious as the date is quite near and it would be great if we could confirm everything with our suppliers by the end of the week.
Thanks,
Rory

On 29 Jul 2013, at 21:46, Red & Black Music wrote:
Hi DM & LM,
Lovely to meet you both this evening and looking forward to entertaining you and your guests on Sunday 01/09/2013.
Attached is the revised version of the contract. As you have already paid a deposit of on 06/06/2013, we have subtracted this from the revised total to get the remaining balance of remaining (due to artist).
If you could have a look through and check that you are happy with the details, that would be great. Let me know if you require any further amendments at this stage as we can adjust accordingly.
Once happy with the details, if you could print, date, sign and post 1) the attached contract + 2) the attached T&C to the following address:
Rory Duffy
Red & Black Music
Scanned versions can be emailed across if it is easier for you.
I've left off lighting arrangements for now, in case we decide to go ahead with lighting hire (I'll look into some possible suppliers). The only other thing that we may need to fine tune is physically transporting everyone to the venue. If people are getting trains, we may need to arrange a collection from either Farnham or Farncombe.
The contract is fully expandable, so, subsequent to signing, I can issue a revised version if appropriate.
Meanwhile, don't hesitate to contact me if you have any questions or alterations, and I would be happy to assist.
Thanks,
Rory

On 26 Jul 2013, at 13:20, DM wrote:
Great

-----Original Message-----
From: Red & Black Music <[email protected]>
Date: Fri, 26 Jul 2013 12:54:23 
To: DM
Subject: Re: Quotation
OK, great. There is a train at 17:45 from Waterloo, which gets into Farncombe at 18:30. I'll aim for that one.
Cheers,
Rory

On 26 Jul 2013, at 12:50, DM wrote:
Farncome, from waterloo or vauxhall. Let's us know what train you are on and we will pick you up

-----Original Message-----
From: Red & Black Music
Date: Fri, 26 Jul 2013 12:44:23 
To: DM
Subject: Re: Quotation
Yes, I can do Monday 29 evening, no problem. I can come straight after work (I finish at 5). I'll get the train from Vauxhall. Which stop is it?
Cheers,
Rory

On 26 Jul 2013, at 12:42, DM wrote:
Would mon eve be ok ? Hopefully the extra day won't make that much difference.. ? 
Sent from my BlackBerry® wireless device

-----Original Message-----
From: Red & Black Music
Date: Fri, 26 Jul 2013 12:41:23 
To: DM
Subject: Re: Quotation
Hi DM,
I'm afraid I'm working Tuesday evening. I could do Saturday (anytime), Sunday evening, Monday evening, Thursday evening or Friday evening, although I'm fairly anxious to get the contract signed so that we can confirm everything with the band members.
Cheers,
Rory

On 26 Jul 2013, at 12:39, DM wrote:
hi Rory
what about mon or tue evening next week for a visit ?
DM

On 16 Jul 2013, at 04:29, Red & Black Music wrote:
Hi DM,
Tuesday / Wednesday is difficult as I'll be away in Manchester. If you want to speak on the phone, I'm free this evening, tomorrow daytime until 13:30-ish (gigging afternoon / evening in London) & Thursday I'm more free.
It's a bit of a crazy week for me as I'm also potentially away Friday and I have gigs on Saturday (Cambridge) and Sunday (London), although I could potentially come down Sunday evening.
What were your thoughts regarding the music, as I know that you were after music interspersed throughout the afternoon / evening. Perhaps we are looking at 3 sets of jazz quartet followed by 3 sets of Diáspora, and then interspersing iPod music between the sets?
Cheers,
Rory

On 15 Jul 2013, at 20:04, DM wrote:
Rory,
Could you do tue or wed this week ?
DM 

------Original Message------
From: Red & Black Music
To: DM
Subject: Re: Quotation
Sent: 12 Jul 2013 10:57
Hi DM, 
I hope that you are well. Would you be able to meet this weekend? 
One of our lead vocalists has had another enquiry for the afternoon of the same date, so I'm a little anxious to get a contract signed so that we can confirm everything with our suppliers. 
Alternatively, perhaps we could speak on the phone today before lunchtime or evening after 7? 
Sorry to chase, I just want to make sure that everyone is available for you on the 1st September - so far, it is looking good, but we cannot confirm with them until contract is received. 
If you want, we can get the primary feature basic package (main band) contracted and then we can always upgrade later on if you would like to book the secondary feature support act? 
Let me know what you think. 
Thanks, Rory 
Red & Black Music E: [email protected] 

On 24 Jun 2013, at 21:07, Red & Black Music wrote:
Hi DM! 
Sorry about the confusion with phones. I'm in the process of renting one of our rooms out so my phone is full of texts from random numbers. 
I'm heading up north for work early tomorrow morning and returning Wednesday night, but this week, I could do: 
27 - anytime after 5 28 - anytime after 5 29 - anytime 30 - anytime 
Let me know which would suit you. 
Cheers, Rory 
Red & Black Music
E: [email protected]

On 17 Jun 2013, at 13:57, Red & Black Music wrote:
Hi DM, 
Apologies, I did not call you on Thursday morning. If today is a good time, please feel free to give me a call whenever is convenient with you. 
Thanks! 
Rory

From: Red & Black Music
Subject: Re: Quotation
Date: 10 June 2013 at 12:23:02 BST
To: DM
Hi DM
Hope you have had a good weekend. I'm just wondering whether you are happy with the contract / deposit arrangements as discussed?
I'm quite keen to secure the band members' availability so it would be great if we could send them a confirmation of the event either with timings TBC / details as you require - happy to send an alternative version if there have been any changes since we spoke on Friday.
I'm working in Manchester on Wednesday - Friday this week, but I'll be contactable and if you need to send it to me either tomorrow or Wednesday then I'll be able to pick it up at my work address. I'll be returning to London on Saturday.
Cheers
Rory

On 6 Jun 2013, at 23:22, Red & Black Music wrote:
Hi DM,
Deposit received safely - thank you.
Cheers
Rory

On 5 Jun 2013, at 15:13, Red & Black Music wrote:
Hi DM,
Yes, this is perfectly fine. Thanks for letting me know.
I'm in Manchester, but I'll confirm that I've received everything when I return to London tomorrow night / Friday morning.
Thanks very much
Rory

On 5 Jun 2013, at 15:00, DM wrote:
Rory
sorry been snowed under on work front, i have just paid deposit by BACS and will work on contract filling out tomorrow. is that ok ?
DM

On 5 Jun 2013, at 12:46, Red & Black Music wrote:
Hi DM,
I hope all is well with you.
I was wondering whether you have had a chance to look through the contractual / booking arrangements, and that you are happy to make the deposit for the 11-piece (if you have not done so already)?
My agent for the other enquiry has got in touch today at 10:25 as apparently her client is chasing her regarding this date.
However, since you contacted us first, I can reserve Diáspora with you on that date for another 72 hours and once the deposit is received, I can tell the other agent that we are booked on this date.
I'm on the end of my mobile so do feel free to ring if you need to.
Thanks,
Rory

On 31 May 2013, at 19:02, Red & Black Music wrote:
Hi DM,
Please find attached the contract + T&C for Diáspora, on 01.09.13.
If you could have a look through and check that you are happy with the details, that would be great. Let me know if you require any initial amendments at this stage as we can adjust accordingly.
Once happy with the details, if you could print, date, sign and post 1) the attached contract + 2) the attached T&C to the following address:
Rory Duffy
Red & Black Music
Scanned versions can be emailed across if it is easier for you. Deposit is payable via BACS on return of the contract (I've attached an invoice for the deposit).
Meanwhile, don't hesitate to contact me if you have any questions or alterations, and I would be happy to assist.
Thanks,
Rory

On 31 May 2013, at 18:38, Red & Black Music wrote:
Thanks, DM.
Transport does work out slightly more expensive as the previous quotes were for Guildford (GU1).
I'll send you the contract with the revised quote.
Thanks,
Rory

On 31 May 2013, at 18:31, DM wrote:
Tks
This is address and venue

-----Original Message-----
From: Red & Black Music
Date: Fri, 31 May 2013 17:26:04 
To: DM
Subject: Re: Quotation
Hi DM,
Before I send the contract, could you provide:
Your address and postcode
The address and postcode of the venue (if different)
I'll put your name on the contract and the timings as TBC, but between 1-8.
Thanks,
Rory

On 31 May 2013, at 17:16, Red & Black Music wrote:
Hi DM,
Nice to speak to you today. Here is my suggestion re: timings:
Act 1:
12:00 - Arrive / setup / soundcheck
13:00 - Jazz quartet set 1
13:45 - Interval / ipod
14:00 - Jazz quartet set 2
14:45 - Interval / ipod
15:00 - Jazz quartet set 3
15:45 - Interval / ipod / support band meal
Act 2:
16:30 - Rest of Diáspora arrive / setup / soundcheck
17:30 - Diáspora set 1
18:30 - Interval / ipod
19:30 - Diáspora set 2
20:30 - Finish
With regards to supplementing the event, I can see 3 ways of doing this:
1) Book a support act
£400 extra for jazz 4-piece
£300 extra for jazz 3-piece
£200 extra for jazz 2-piece
£100 extra for jazz 1-piece (+ backing track)
= separate time allocation of 135 minutes (2.25) divided into sets
NB - it is possible to book one of the Diáspora small / medium packages as a support act. These are priced at the zone 2 performance fee and would not incur extra expenses / charges on the basis that the line-up would include members of the primary feature.
5-piece: £630
6-piece: £700
7-piece: £760
8-piece: £810
2) Book the Rory Duffy Jazz Quartet through Red & Black Music.
This would involve a separate booking / contract / deposit / invoice process. I'll forward you a separate quotation email with costs. Doing it this way would cost you more, but there would be more flexibility with the musicians involved and the timings.
3) Extended timings for Diáspora zone 2 / 11-piece would work as follows:
00 - 30 minutes overtime / anything up to 165 minutes (2.75 hours) TOTAL = add 25% to the performance fee: £900 x 1.25 = £1125 performance fee
30 - 60 minutes overtime / anything up to 195 minutes (3.25 hours) TOTAL = add 45% to the performance fee: £900 x 1.45 = £1305 performance fee
60 - 90 minutes overtime / anything up to 225 minutes (3.75 hours) TOTAL = add 65% to the performance fee: £900 x 1.65 = £1485 performance fee
We have never used extended timings before with Diáspora, so it could prove interesting! However, the band has plenty of chilled-out material so no difficulty in terms of stretching it out a bit - all depends on the stamina of the musicians.
In terms of set lengths, for Diáspora:
65 minutes - about 7 / 8 songs
45 minutes - about 5 / 6 songs
35 minutes - about 3 / 4 songs
I've attached the Diáspora booking guide, which has more information. It's quite hefty reading, but it basically outlines all of the different booking options / conditions since we are so flexible!
Please note, the requests section is out-of-date - we now charge £50 for all song requests in Diáspora. Charges vary for our other artists.
Meanwhile, I'll prepare an initial contract, T&C and deposit invoice for the Diáspora 11-piece and email it across to you. Any extras that are latched on will be added on to the total and the pre-paid deposit will simply be subtracted from this to give the remaining balance which will be included in a revised (upsized package) contract that we will then issue subsequently.
I hope that this helps and please let me know if there is anything else that you need at this stage!
Thanks,
Rory

On 31 May 2013, at 14:51, DM wrote:
Rory,
Great I will call shortly to sort out payment and exact details but as per Linda's original mail, we are booking for a lunch time garden party.
DM

-----Original Message-----
From: Red & Black Music
Date: Fri, 31 May 2013 14:23:19 
To: DM
Subject: Re: Quotation
Hi DM,
Nice to hear from you, thanks for getting in touch. I'm free this afternoon so anytime is good.
We have had another enquiry through for that date, but it is a daytime booking (10 - 4) so hopefully should not pose a problem for you.
Thanks,
Rory

On 31 May 2013, at 14:05, DM wrote:
Dear Rory,
Hi 
DM here, LM's husband, i am taking over the booking etc, when would you be free to discuss all the details ?
regards
DM 

Begin forwarded message:
From: LM
Subject: Fwd: Quotation
Date: 31 May 2013 13:56:21 BST
To: DM

Begin forwarded message:
From: Red & Black Music
Subject: Quotation
Date: 21 May 2013 15:38:57 BST
To: LM
Hi, LM, 
Thanks for getting in touch.
Yes, I can provisionally confirm availability of Diáspora for 01/09/2013. Here are the all-inclusive* quotes (due to band).
*Quotes include transport expenses (and sound facilities where indicated). If sound facilities can be provided, then we would deduct charges for these (where indicated). Quotes exclude accommodation, subsistence, lighting, extended engagement timings, special requests and agent commission / VAT, as applicable. Full breakdown(s) below.
Let me know if any questions. Look forward to hearing from you soon.
Cheers,
Rory

Unresolved Queries (2) Reviews

29/4/2016

 
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This is a follow-up article to the one from last July, and explores unresolved queries after the booking has happened.

Read More...
Unresolved Queries (1) Enquiries
​
​Jason @ Book Live
Testimonial - 01/09/2013 - Diáspora
Query
Unresolved Queries cause anxiety. An anxiety over whether we have pursued it enough, or whether there is the potential to send a follow up without causing distress. An anxiety over whether we have done enough or tried our best, keeping at the back of our minds how this might impact on when an agent asks an artist to provide evidence of previous client feedback when they apply to go on their books.

Unresolved Queries (i.e., lack of communication) is one of the two major problems in today's music "industry". The other is unreliability (i.e., lack of accountability).

Unresolved Queries are a cancerous illness in today's music "industry" and breed the negative effects listed to the right.

How hard is it to simply say "no"?
  • Anxiety
  • Cloak & Dagger
  • Confusion
  • Delusion
  • Denial
  • Depression
  • Disillusion
  • Distance
  • Distress
  • Doubt/Self-Doubt
  • Indefiniteness
  • Indeterminacy
  • Lack of insight
  • Lack of foresight
  • Lack of self-confidence
  • Lack of self-esteem
  • Lack of precision
  • Miscommunication
  • Misunderstanding
  • Smoke & Mirrors
  • Uncertainty
  • Unease
  • Unpredictability
  • Vagueness
Action
​We seek to challenge the culprits of these psychologically damaging effects by exercising our right and freedom to ask questions and pursue them until we have an answer, so that no stone is left unturned. We address these queries in a purely systematic way to ensure we are polite, yet firm, at all times.

Reply
This query is sent to the client after an event, requesting them for a review, and it is in 3 parts. ​It's been copy-edited. The message clarifies that ​if you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms (including a 'no').

Certainly, a client is not obliged to answer if they don't wish to. But this works both ways. Equally, we are not obliged to stop asking if an answer hasn't been received.
  • Accommodation
  • Analysis
  • Assurance
  • Certainty
  • Communication
  • Confidence
  • Consequence
  • Conviction
  • Diplomacy
  • Education
  • Evaluation
  • Facilitation
  • Faith
  • Honesty
  • Information
  • Learning
  • Mediation
  • Practicality
  • Pragmatism
  • Problem-solving
  • Knowledge
  • Resolution
  • Stability
  • Trust
  • Truth
  • Understanding
From: Claire
Subject: Re: Feedback
Date: 29 April 2016 at 11:27:28 BST
To: Rory

Hello Kelly,

Message 1

Thank you for inviting Rory to perform at your event on 23/04/2016.

I hope you enjoyed the performance, and that all on-the-day arrangements went smoothly and satisfied your requirements.

I would like to ask whether you could write a short testimonial for Rory, based on your experience of working with us.

We are not looking for anything too substantial; just a couple of lines commenting on the energy, style, performance and professionalism, and how you felt the band/set made an impact on your event.
This feedback would be very much appreciated. Please let me know if you prefer me not use your full name for privacy purposes.

Rory will also send you a personal message to say thank you.

Meanwhile, and on behalf of Rory, I would like to thank you for the opportunity, and I send you our best wishes.

Message 2

I hope this message finds you in good health.

I'm following up on my previous message regarding a possible testimonial. As discussed, I would really appreciate it if you were able to provide us with a testimonial for your booking of Rory on 23/04/2016.

Once again, let me highlight that we are not looking for anything substantial; just a quick comment on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy. We'd really benefit from the feedback.

Please would you be able to let me know if this is at all possible?

On behalf of Rory, thank you again for the opportunity and hope all was well.

Message 3

Hope you're well and healthy.

Following up on my previous messages regarding feedback, would you be able to provide us with a short testimonial for your booking of Rory on 23/04/2016? Feedback is extremely useful for us, and testimonials allow us to give a fairer representation of our services to future/other customers.

We don't need anything too substantial; just a quick few words on the performance, the professionalism and how you felt it contributed to your event. We do not need to use your full name if you have any concerns over privacy. 

Please would you be able to let me know if it is possible? If you prefer not to provide a testimonial, it's not a problem; we appreciate feedback in all forms.

On behalf of Rory, I would like to thank you again for the opportunity, and I send you our best wishes.

Hope to hear from you soon,

Best Regards,
Claire Maillot
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Example #1: Elastic

Here is an example of an agent restricting our right to ask. This effectively engenders a breakdown of communication.

​Since we were not even permitted to ask, we got around this issue by bringing a box of chocolates (Celebrations) to each of the events and offering it to the venues, in return for them scribbling some feedback on a piece of paper. This way, the query wasn't digital and therefore couldn't be traced or evidenced back to the client. It resulted in Fiesta Latina receiving 20+ excellent reviews in 3 months, which has helped them secure future bookings. It goes to prove people always have something to say if they have an opinion on something.
Begin forwarded message:
From: Jo
Subject: Re: Fiesta Latina - 12/07/2014 - London (Enfield)
Date: 30 July 2014 at 15:07:01 BST
To: DG
Hi DG,
No problem, thank you for letting me know.
Thanks_Jo

On 30 Jul 2014, at 14:15, DG wrote:
Hi Jo,
Thanks.
I've already done that and asked her to do it for all bookings where possible.
As I said, the client is Elastic. We are working for them not the venues, and they have no obligation to follow up on these requests.
Best,
DG

From: Jo
Date: Wednesday, 30 July 2014 14:13
To: DG
Subject: Re: Fiesta Latina - 12/07/2014 - London (Enfield)
Hi DG,
No problem, thank you for letting me know.
Please would it be possible to request Elastic / Roz to pass on the message to the client?
Thanks_Jo

On 30 Jul 2014, at 14:10, DG wrote:
Hi Jo,
We have asked the client to request feedback from all the venues. So, there is no need for you to send individual emails like this.
I understand how important feedback is but technically we can only approach our client for this which is Elastic.
Best,
DG

From: Jo
Date: Wednesday, 30 July 2014 13:37
To: DG
Subject: Re: Fiesta Latina - 12/07/2014 - London (Enfield)
Hi DG,
Please would it be possible to pass on the following message re: the gig(s) with Fiesta Latina on:
12/07/2014
Hi RVT / AT,
I hope you are well.
I'm following up on my previous message re: possible feedback / testimonial. As discussed, I would really appreciate it if you were able to provide us with some feedback / testimonial on your recent booking with Fiesta Latina on: 
12/07/2014
We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism of the artist, as you see appropriate, and, if you prefer, I need not use your full name for privacy purposes.
Please let me know if it is possible?
Meanwhile, I would like to send again my best wishes for future, and I look forward to hearing from you soon.
Thanks_Jo

On 23 Jul 2014, at 13:22, Jo wrote:
Hi DG,
No problem, thank you for letting me know.
Please pass on to RVT to forward to the client(s) as appropriate.
Thanks_Jo

On 23 Jul 2014, at 13:20, DG wrote:
Hi Jo,
Thanks for your feedback emails.
We do not have direct contact the venues. They are clients of your client which is Elastic.
I'm happy to ask RVT to ask venues for feedback, but I don't think this is something that we should do directly.
Best,
DG

From: Jo
Date: Wednesday, 23 July 2014 11:23
To: DG
Subject: Fiesta Latina - 12/07/2014 - London (Enfield)
Hi DG,
Please would it be possible to pass on this message re: 12/07/2014 - London (Enfield) @ King’s Head?
Dear AT,
Thank you for inviting Fiesta Latina to perform at your event on:
12/07/2014
I hope that you enjoyed the performance, and that the on-the-day arrangements were smooth and satisfactory to your requirements.
Please could I ask for your help? I'm writing to ask whether you would be kind enough to write a short testimonial for Fiesta Latina, which we can use to promote the artist. We are not looking for anything substantial, just a couple of lines commenting on the energy, style, performance and professionalism of the artist, as you see appropriate.
This would be warmly received. If you prefer, I need not use your full name for privacy purposes.
On behalf of Fiesta Latina, I'm sending you our best wishes, and we look forward to hearing from you soon.
Thanks_Jo
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Example #2: Parfetts

This well-documented example demonstrates an extreme example of client gas lighting.

​It became apparent that the client in question was insulted by our persistence in obtaining some sort of written feedback from him - despite his positive verbal feedback on the day. However, it's clear that we were polite and courteous to him at every step of the way, and that it was simply his inability to communicate that ultimately came back to haunt him!

Read More...
Jason @ Book Live
On 10 Sep 2014, at 19:07, Jason @ Book Live Music & Entertainment wrote:
We usually find that if no feedback is received from the client that they - are at - best satisfied. You decided to contact the client directly when we had previously indicated that the client had not relayed any feedback despite our efforts.

​From: Jo Mantini
Subject: Re: Booking Confirmation | 20.05.14
Date: 12 September 2014 at 09:49:06 BST
To: "Jason @ Book Live Music & Entertainment"
Although you indicated that the client had not relayed any feedback, you did not indicate that the client was not willing to relay any feedback. Therefore, the case remained as an unresolved query on our system.
  • Blog
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​Example #3: Glasgows

In this example, the agent was reluctant to contact the client again after 5 months. In this case, feedback was received after we approached them ourselves. It's nice to see emails forwarded internally in organisations and reassuring to know that their communication systems/structures are working.

How easy was that?

​Had we not chased for feedback, then this event would have become unaccounted for. By "unaccounted for", we mean that the fact of the matter - the reality of the event ever happening - simply vanishes into thin air without a trace, almost as if it never actually happened. This distorts our sense of reality. Who was that client again? Where was that gig again? When was it? Don't know - it properly doesn't matter anymore. Imagine if we'd given up on our insight before and during the event when it actually "mattered"! We would have looked back and the past would have seemed fuzzy and blurry, and we would have wondered "what if?"!

No: enough is enough. This is both psychologically counter-productive and potentially harmful because it makes us question our own perceptions. It's also an obstacle to future progress. This 'smoke screen' effect is precisely what's wrong with today's music "industry" and we want to target it at its root source.

Our two primary values of communication and accountability effectively feed off one another. Communication allows us to account for things, take stock of any KLU (Knowledge, Learning & Understanding) derived from the fact, and use this for evaluation and future development, i.e., communication putting actuality into account.
From: PL
Subject: Fwd: FW: FAO Bridget, Re: 27th February
Date: 16 July 2014 at 15:43:14 BST
To: Rory
Hi Rory
Pleased to help ...
The Rory Duffy Trio provided an ideal backdrop to our charity drinks reception.
The choice of music was perfect for the occasion and enjoyed by all our guests.
PL
Director, Glasgows

---------- Forwarded message ----------
From: FN Foundation
Date: 15 July 2014 17:11
Subject: FW: FAO Bridget, Re: 27th February
To: PL
Dear PL
Forwarding you this from Rory Duffy.
Kind regards
Stephanie

From: Rory
Sent: 11 July 2014 11:37
To: FN Foundation
Cc: Jo
Subject: FAO Bridget, Re: 27th February

Hi,
This is a message for Bridget re: FN Charity Gala Dinner, Victoria Park Plaza on February 27th, 2014. I would be grateful if you could pass this on!
Many thanks :)
Rory
​
Dear Bridget,
It’s Rory Duffy here, saxophonist from the jazz trio at your event at London Victoria Park Plaza on February 27th. I hope all is well with you. I’m just working on my music website, and I wanted to feature you as one of our clients. I was wondering whether you would be kind enough to send me a couple of lines feedback / reference that I can use with your logo and a link to your website?
Nothing substantial, just a short line or comment would be fabulous and much appreciated!
Let me know if it is possible.
Thanks, look forward to hearing from you soon.
Best wishes,
Rory
From: RW
Subject: Re: Event Confirmation 27th February 2014
Date: 11 July 2014 at 11:11:06 BST
To: Rory
Cc: Jo
Hi Rory,
No I'm afraid they didn't come back to me, I did write to them at the time to ask but am reluctant to write again now 5 months on...
Best,
RW

On Fri, Jul 11, 2014 at 11:07 AM, Rory wrote:
Hey RW
Did you ever hear anything back from the client on 27th Feb? (the one in Victoria Park Plaza)… ? No worries if not, but would be good if you could chase for me.
Thanks :)
Rory

Unresolved Queries (1) Enquiries

27/7/2015

 
  • Blog
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​What is an "Unresolved Query"?

An "Unresolved Query" is a record on our system whose status has been marked as "Pending". A "Query" is a written question or request that solicits an answer or action, a "call to action" (most of the time, simply a positive or a negative affirmation, i.e., a "yes" or a "no").

​Our number one value is communication.
  • We believe that a pending query should not be taken to mean "no". Instead, it simply highlights a lack of communication on the part of the recipient.
  • We believe it is important to pursue an unresolved query until it is resolved.
  • We believe in open access to information.
  • We believe the individual's freedom to ask and answer questions.
  • We challenge anyone who restricts this liberty.

Query Types

Queries come in a variety of types, and we categorise/code these according to the type of query. The 2 most common query types are "1121s" (client enquiries) and "1161s" (client reviews). These different query types all feed into a central query table that resides at the heart of our system, which allows us to track and monitor which queries have/haven't been responded to, thus allowing us to resolve queries more efficiently.

For example, many client enquiries simply go dead and you never hear back, as NJ rightly observes.
​From: NJ
Subject: Re: Quotation
Date: 11 April 2013 at 12:17:32 BST
To: Red & Black Music

Hi Rory 
I know as a musician how useful it is to be informed when enquiries go dead, however as an agent getting upwards of 50 - 130 enquiries per week, many wanting quotes from more than one band, it would be a massive venture to inform everyone of each outcome, as many simply go dead and you never hear back as they are comparing prices.

I always try, but as this client has not yet confirmed any of the dates I was not yet in a position to. But you can safely release the 5th.
Best Wishes, 
NJ 
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We analysed the data of enquiries from W Entertainment in terms of the proportion of enquiries that go dead, and this came to a ratio of 3:1. The reality is that ​many inconclusive enquiries we won’t hear anything about and this is why we place a reservation period on all of our enquiries.

If it's a direct booking, we'd pursue all clients for feedback regardless of whether they intend to make a booking or not because communication is one of our primary values, alongside the individual's freedom to ask and answer questions (after all, what's so difficult about providing a 'yey' or 'ney' and giving a reason other than forgetfulness?)
From: JM
Subject: RE: Acts Newsletter - June
Date: 1 July 2015 at 21:14:02 BST
To: 'Jo Mantini'
Reply-To: JM
Hi Jo,
Apologies for the lack of response - the new website has proved particularly challenging on time. I was here at 6 this morning and still working now but we're just coming to the end of the workload from the new site, so if you let me know when's good to call you next week and I think it'll be easier to have a quick chat and go through the points you've raised in your last email.
Kind Regards,
JM

From: Jo 
Sent: 29 June 2015 15:45
To: W Entertainment
Subject: Re: Acts Newsletter - June
Hi JM,
Thank you for your email. I hope you enjoyed your weekend.
I look forward to hearing from you soon.
Thanks_Jo

Begin forwarded message:
From: Jo
Subject: Re: Acts Newsletter
Date: 9 June 2015 at 15:45:40 BST
To: JM
Cc: Rory
Hi JM,
I hope you are well.
Thank you for explaining the issues re: resolving queries.
In theory, we place communication and resolution at the heart of our business (Red & Black Music). In practice, we prefer an infinite communications model, i.e., we prefer to pursue an unresolved query until the query is resolved, regardless of the number of communications.
Taking into consideration the issues you describe, please would it be possible to suggest 3 alternatives?
Either,
1) Please would it be possible for the agent to pursue an unresolved query for an infinite (rather than a finite) number of times until a query is resolved, i.e., until a response is received from the client?
2) Please would it be possible for the artist to request the agent to pursue an unresolved query as and when required?
Or,
If the time / resources is limited, and the communications model must be finite:
3) Please would it be possible to include (with consent) the artist contact details on the final email to the client in case the client prefers to pursue directly?
Any of these 3 alternatives can be automated / incorporated into the system you mention.
We understand that the time / resources is limited for the agent, especially if you are working with multiple artists. We have the time / resources to pursue unresolved queries ourselves, if / when the queries are closed by the agent. There are ways we can work together, e.g., either supplementing the communications work you already do, or paying an introductory fee to W Entertainment in lieu of commission if a direct relation results in a booking, if it is helpful.
As you understand, our priorities are for the artist to not lose a potential lead on a booking due to the lack of time / resources for the agent, and for the artist to have the opportunity to ask the question.
Please do rest assured, we agree with what you describe: that each enquiry does have a complete process with follow up so not a disposable lead once the quote has gone out, and we believe that the agent is pursuing enquiries comprehensively.
However, we believe that there is a difference between a finite and an infinite communications model. For us, an infinite communications model (i.e., not closing enquiries) is integral to resolving queries, understanding and responding accordingly to client needs and ultimately developing our business.
Meanwhile, I have contacted James re: 14/08/2015 (Rory & His Jazz Band), because the agent passed his contact details to Rory (see below).
I look forward to hearing from you soon.
Thanks_Jo

Hi Rory,
This client is keen on booking the band but would like to speak with you before confirming? Would you mind having a chat with the client?
Obviously if the client asks about fees or booking just refer him back to myself.
The client's contact number is.
Best wishes
SM


Jo Mantini
[email protected]

On 1 Jun 2015, at 13:22, JM wrote:
Hi Jo,
Thanks for your email and the breakdown of the enquiries received.
For the most part, the things you suggest on your email are just too difficult and time consuming for us to be able to implement. Customers also don't give consent for their data to be passed to third parties so it's a little unethical to pass these details on.
As an idea, in the first six months of 2015, we received over 12,000 enquiries to the site for acts. This is individual enquiries and doesn't take into account where the client has added acts to their "basket" on the site - i.e. 3 or 4 acts in one enquiry. This is where it begins to get difficult to extract information customer by customer. From those enquiries, in just under 22% of occasions, quotes were sent to alternatives where the act / acts enquired about were unavailable. Some of these clients will be in the data on the spreadsheet, again making it difficult to pull the right customers from that information.
Since I've come into the artist liaison role, I've spoken to acts and listened to their concerns and we implemented a much tighter system of finding out when customers would like alternatives (as opposed to doing this on spec) and trying to get a better idea of what would match the customers ideals. What I can say is that we should see some of this start to reap a lower enquiry / higher conversion rate from this meaning enquiries that are received for these three acts should be either for you at source or suggested to the customer once we speak to them.
I would of course welcome any of the analytical data that you highlight - information on when a customer books elsewhere, who they booked etc but the fact is that once we provide the customer with a quote, it simply comes down to whether they book or not. If they book elsewhere, we often don't get the opportunity to get that feedback even through our follow up process on every enquiry. When we close the enquiry at present the client just gets an email to say that enquiry is now closed but we are looking at ways to  glean feedback on that final email by asking the customer to complete a quick questionnaire. Whether the client engages with this remain to be seen but alongside this, a system where acts can see which enquiries are open/closed and at what stage they are at is also being considered.
To summarise, while we are making some changes to make the processes much more streamlined, the speed and nature of the enquiry process make it really difficult to hone down the enquiries and, of course, peoples eventual decisions. I think I'd also be keen to stress to set your mind at rest, that each enquiry does have a complete process with follow up so not definitely not a disposable lead once the quote has gone out.
Kind Regards,
JM

From: Jo
Sent: 29 May 2015 10:15
To: JM
Cc: Rory
Subject: Re: Acts Newsletter
Hi JM,
Thank you for your email. It’s great to hear from you. I hope you are well.
Thank you for explaining the enquiry process. It’s useful for Rory (Cc’d) & I to understand how this works.
At Red & Black Music (formerly Diaspora Collective), W Entertainment constitutes 76 / 449 (16.93%) of our overall enquiries.
2012: 003 / 031 (09.68%)
2013: 001 / 084 (01.19%)
2014: 052 / 206 (25.24%)
2015: 020 / 052 (38.46%)
These enquiries are split across 3 acts:
- Latin Explosion
- Rory & His Jazz Band
- Rory The Saxophonist
Since it is a significant proportion of our overall enquiries, I have conducted analysis of our data for W Entertainment, and I have some insights.
Artist Availability:
10.53% I have sent non-availability
22.37% I have sent provisional availability (= conditional availability based on the artist diary + data that the performers / producers have submitted in advance as part of their membership agreements)
67.11% I have sent final availability (= unconditional availability)
Client Response:
10.53% I have received negative client response (“Declined”)
76.32% I have received no client response (“Pending”)
02.63% I have received positive client response (“Confirmed” / “Contracted”)
On average, I have sent 4.158 communications per enquiry, and I have received 1.408 communications per enquiry.
As you may agree, there is a significant percentage (76.32%) of unresolved queries, whereby the client (agent or promoter) is neither responding to the quotation nor providing any feedback for the quotation.
The ratio of artist to client communications is also less (approximately 3:1).
This may be due to a number of reasons:
•           Other artists quoted cheaper
•           Other artists quoted quicker
•           Other artists offered a more appealing package including a greater degree of capacity / flexibility
•           Other agents quoted cheaper or the client enquired via multiple sources
•           The client decided to cancel or postpone the event
•           The client decided to cancel or postpone the entertainment
•           The client decided to change the nature / style of the entertainment
Please find appended below a case study, whereby the agent put the promoter in direct correspondence to the producer. This resulted in a more detailed client feedback.
Following on from the statistics and case study, I have 4 questions.
1.
Is this percentage (76.32%) and ratio (3:1) consistent to the average across all artists of W Entertainment?
2.
Which of our enquiries are specifically for the act(s) stipulated on the enquiry email, rather than for the agent quoting multiple acts?
3.
Please would it be possible for us to obtain detailed client feedback on our enquiries / quotations?
Either
Please would it be possible for W Entertainment to ask the clients if they have any feedback for the quotations in relation to the event requirements, as it is useful for us to have this for evaluation and future development, and to pursue these queries with the clients until they are resolved?
Or
Please would it be possible for us to have the opportunity to pursue these queries with the clients directly until they are resolved? If these enquiries lead to bookings, we will of course refer them to W Entertainment.
4.
Please would it be possible for W Entertainment to conduct a targeted email campaign to all previous enquirers specifically for our acts:
- Latin Explosion
- Rory & His Jazz Band
- Rory The Saxophonist
Offering a discount code to the previous enquirers for those acts?
Our targets are as follows:
•           To decrease the percentage of unresolved queries from 69.23% (36 / 52) in 2014 to 50.00% in 2015.
•           To increase the percentage of enquiries that lead to bookings from 03.85% (02 / 52) in 2014 to 07.00% in 2015.
•           To obtain detailed client feedback on our enquiries / quotations for the purposes of evaluation and future development, so we can improve our offer and the way we work.
•           Ultimately, we aim to increase the level of accessibility / engagement between clients and Red & Black Music productions.
Therefore, any feedback following specifically from the statistics and case study would be much appreciated. I’m interested in ways which we can work together to achieve these targets.
Please find attached an excel report, which includes the list of previous enquirers and the enquiry details, so you can reference the corresponding data.
Please find below a full list of fields.
I apologise for the long email. I appreciate your assistance and feedback. I look forward to hearing from you soon.
Thanks_Jo
- - -
Enquiry
- Act Required
- Production Quoted*
- Client Name
- Event Date
- Type of Event
- Event Location
- Additional Information
*I have included the production quoted to illustrate that we have 3 productions (London / Manchester / Bristol) that correspond to Rory & His Jazz Band / Rory The Saxophonist.
I quote according to the nearest postcode to the postcode of the venue to make it less expensive for the client.
Parties
- Artist Individual
- Artist Organisation
- Agent Individual
- Agent Organisation
- Inbox (messages from the client)
- Sent (messages from the artist following up enquiries)
Reservation
- Enquiry Start = enquiry date / time
- Enquiry End = reservation end date / time
- Notice = difference between the event date and the enquiry date
- Reservation = difference between the reservation end date and the enquiry date
Times
- Artist Response
- Artist Response Time
- Artist Response Time exc. DAY = response times made on the same day only
- Artist Response Time
- - Declined
- - Pending
- - Provisional
- - Final
- Client Response Time
- - Declined
- - Pending = enquiry released
- - Confirmed
- - Contracted
Statistics
- Artist
- - Declined
- - Pending
- - Provisional
- - Final
- Client
- - Declined
- - Pending
- - Confirmed
- - Provisional
  • Blog
  • Correspondence
<
>
However, some agents have been a bit cagey about us pursuing unresolved queries until they are resolved. We explored this tension/dynamic through 2 enquiries received from a "James" via both W Entertainment and FM. We discovered that the agent views this as 'hounding'. But there is nothing wrong or illegal about asking neutrally for a 'yes' or a 'no'; as long as a 'no' hasn't already been specified, and as long as the communication is polite. It's incredible how agitated clients can respond through their own inefficiency of not responding, when their inability to communicate rebounds on them and becomes their problem!
​From: Jo
Subject: Re: FM : Booking Enquiry
Date: 27 July 2015 at 09:36:01 BST
To: FM
Cc: FM
Hi CM,
I hope you enjoyed your weekend.
I have released the date for now.
If you have a spare moment, please would it be possible to ask James if he has any feedback for this quotation in relation to the event requirements, as it is useful for us to have this for evaluation and future development?
Please also rest assured that he is welcome to enquire again if he is interested in future, and I will provide a new quotation subject to availability.
Meanwhile, I would like to pass James my thanks for getting in contact, and I wish him all the best for the event.
Thanks_Jo

On 22 Jul 2015, at 12:09, Jo wrote:
Hi CM,
No problem, thank you for letting me know.
I appreciate your feedback.
The client should let you know if they are unsure or have decided to not go ahead so that the enquired artist can action the date(s).
It is only reasonable to ask a question to the client until it is answered.
We recommend to pursue unresolved queries until they are resolved, if the individual initiated the query, or if the organisation contact details are available to the public.
It would be much appreciated if it is possible to send another follow up to James. I anticipate James will not mind you following up.
I hope that this message / viewpoint is reasonable, and taken from the intent to facilitate and support the communications process.
Thanks_Jo

On 22 Jul 2015, at 10:41, FM wrote:
Hi Jo
Thanks for clearing that up for me. Just for future enquiries through us would you mind not chasing the clients up, especially if they have not given you their contact details. As mentioned we always follow enquiries up with clients, but there is a thin line between following up with the client and hounding them for a decision. We just feel it makes the agency look a little unprofessional.
I hope this is ok. Let me know if you have any questions or queries about the above.
Best wishes
CM

On Tue, Jul 21, 2015 at 3:40 PM UTC, Jo wrote:
Hi CM<,
No, he did not contact me directly. I will let you know if he does.
I contacted James via the venue website.
Thanks_Jo

On Tue, Jul 21, 2015 at 3:31 PM UTC, FM wrote:
Hi Jo
Thanks for letting me know. May I ask did James contact you directly also? Contact details to clients are not provided through FM to the bands directly, so I just wanted to double check.
Many thanks
CM

On Tue, Jul 21, 2015 at 1:43 PM UTC, Jo wrote:
Hi CM,
I have contacted James directly.
I have not quoted costs, but if this follow up results in a booking, I will refer it back via you to contract the booking.
Thanks_Jo

On Tue, Jul 21, 2015 at 1:18 PM UTC, FM wrote:
Hi Jo
Thanks for getting back to me. I've already sent James two follow ups, I tend not to send anymore than that as it can feel like i'm hounding the client. We have read receipts on our emails so I can confirm the James has received all my emails.
Kind regards
CM

On Tue, Jul 21, 2015 at 8:07 AM UTC, Jo wrote:
Hi CM,
No problem, thank you for letting me know.
Please would it be possible to send another follow up?
Thanks_Jo

Begin forwarded message:
From: Jo
Subject: Re: F Music : Booking Enquiry
Date: 21 July 2015 09:06:36 BST
To: FM
Cc: FM
Hi Chloe,
No problem, thank you for letting me know.
Please would it be possible to send another follow up?
Thanks_Jo

On 20 Jul 2015, at 15:48, FM wrote:
Hi Jo
Still no word from James. At this point I would advise you to release this date to other clients. Should he get back in touch I will be sure to let you know asap.
Kind regards
CM

On Mon, Jul 20, 2015 at 9:23 AM UTC, Jo wrote:
Hi CM,
I hope you enjoyed your weekend.
I'm following up on the quotation sent on 06/07/2015 for Diáspora on 27/02/2016.
I'm wondering if James is still interested in booking, or had any questions? If he is still unsure, it is not a problem, as I can reserve the date for a further 17 days, until 17:00, 06/08/2015, or until we sign a contract.
Please do let me know if there is any other information you require.
I look forward to hearing from you soon.
Thanks_Jo

On Mon, Jul 13, 2015 at 3:34 PM UTC, Jo wrote:
Hi CM,
Thank you, it is much appreciated.
I look forward to hearing from you soon.
Thanks_Jo

On Mon, Jul 13, 2015 at 3:32 PM UTC, FM wrote:
Hi Jo
Thanks for getting in touch. I haven't heard back from James yet but have sent him another follow up today and will keep you posted on his decision asap.
Kind regards
CM

On Mon, Jul 13, 2015 at 10:53 AM UTC, Jo wrote:
Hi CM,
I hope you enjoyed your weekend.
I'm following up on the quotations sent on 06/07/2015 for Diáspora & Fiesta Latina on 27/02/2016.
I'm wondering if James is still interested in booking, or had any questions? If he is still unsure, it is not a problem, as I can reserve the date for a further 24 days, until 17:00, 06/08/2015, or until we sign a contract.
Please do let me know if there is any other information you require.
I look forward to hearing from you soon.
Thanks_Jo

On Mon, Jul 6, 2015 at 10:15 AM UTC, Jo wrote:
Hi CM,
I can confirm provisional availability of Fiesta Latina on 27/02/2016.
Since it is in advance, I have applied advance discounts (where applicable) if booked by 11/09/2015.
Here is the all-inclusive* quotation (due to artist).
2-piece: £505.00
3-piece: £567.60
4-piece: £605.20
*Quotation is calculated from Bristol / BS1, and includes performance fee, transport, subsistence, sound, 2 hours maximum lead time prior to the performance start time incorporating 60 minutes minimum setup / soundcheck time, 0 hours maximum trail time subsequent to the performance end time incorporating 30 minutes minimum breakdown time, extended duration (4 hours maximum engagement period incorporating 120 minutes maximum performance time), and any other charges (where indicated). Full breakdown(s) below. Discounts are available if James can provide or cover any of the above - please check.
*Quotation excludes support acts, accommodation, lighting, early arrival (more than 2 hours lead time prior to the performance start time incorporating 60 minutes minimum setup / soundcheck time), late finish (more than 0 hours maximum trail time subsequent to the performance end time incorporating 30 minutes minimum breakdown time), requests, and agent commission / VAT (where applicable).
Discounts are available if James can provide transport.
Discounts are available if James can provide subsistence (food & drink).
For all engagements, Fiesta Latina requires either subsistence or subsistence expenses.
Subsistence = Performers x Subsistence Charge (depending on the zone)
04-piece: 4 Riders
03-piece: 3 Riders
02-piece: 2 Riders
Discounts are available if James can provide sound (amplification).
Fiesta Latina provides its own PA systems, depending on the size / lineup.
04-piece: £50.00 @ 1 x Yamaha Stage-PAS 300 / 400 (£50)
03-piece: £50.00 @ 1 x Yamaha Stage-PAS 300 / 400 (£50)
02-piece: £25.00 @ 1 x Mackie SRM-150 (£25)
Meanwhile, I will reserve the date for 31 days, until 17:00, 06/08/2015, or until we sign a contract. This reservation will be viewable via our online live calendar at www.redandblackmusic.co.uk/clients.html and on our gig diary distributed every Monday.
Please do let me know if there is any other information you require.
I look forward to hearing from you soon.
Thanks_Jo

On 6 Jul 2015, at 06:21, FM wrote:
Hi Jo
You have received a booking enquiry via FM for : Diaspora
BOOKING DETAILS :-
Client Name : James
Is enquiry on behalf of a company? : NO
Event Date : Saturday, 27 February 2016
Event Type : wedding
Venue Name/Address : Bovey Castle - Tq13 8Re
Desired Play Times : 1-5pm
Additional Client Info. :
Approx 50-80 people
Cuban - South American - salsa etc to be played during our wedding breakfast
ARE YOU AVAILABLE?
If yes, enter your pricing details using the following link :-
or... please decline the booking :-
Thank you.
---
FM
  • Blog
  • Correspondence
<
>
​A client called James phoned Rory up prior to booking and was dead set about booking. Now, usually, a phone number isn't provided until after the point of contract. However, this client in particular had showed a lot of interest and had specific questions about the lineup/instrumentation and the styles of music prior to booking. On the phone, they were 100% certain that they wanted to book, but a booking never materialised. Because this conversation happened in a verbal format (via phone), we are of course unable to evidence this; another reason why we frown upon phone conversations, because it means we cannot relay these examples quite as easily. Nevertheless, the enquiry stands out as a classic example of a client giving us their verbal word but then not following it through in a written format such as a contract.
From: SM - W Entertainment
Subject: RE: New Enquiry for Fri 14 Aug 2015 from W Entertainment
Date: 20 February 2015 15:58:39 GMT
To: 'Rory’, 'Jo’
Reply-To: Samantha
Hi Rory,
Thank you for this.
I had chased the client myself but had no response. Thank you for the updated.
Best wishes
SM

From: Rory
Sent: 18 February 2015 18:15
To: Jo
Cc: Samantha 
Subject: Re: New Enquiry for Fri 14 Aug 2015 from W Entertainment

Hi Jo and SM

I texted James -

Hi James it’s Rory hope you are well. I received a message from my manager yesterday saying we were no longer needed for your wedding so just wondering what was happening as you seemed quite keen before? Cheers, Rory

To which he replied -

Hello Rory

I really liked what I heard on the website but before I agree to anything for my wedding I like to meet and talk and exchange ideas, just to be sure myself and the other party are on the same page. I felt there was a bit of pressure for me to make a booking when I still had questions to ask so I’ve continued to look around. I’ve not booked anybody yet though, so would still be open to using your services. But I’d like to know exactly what I’m getting before I put a deposit down

I responded -
Ok no worries. I’d be happy to meet and discuss ideas, maybe in London? I can’t discuss costs but can certainly put a few musical ideas down on the page and then relay them back to my manager? Let me know how that sounds.

Basically (99% of cases) I’m used to not hearing anything before a gig confirmation comes through and Jo usually follows up any of my enquiries, but I thought I should chase this one up as when we spoke on the phone a few weeks ago he seemed dead certain about booking and I just wanted to make sure this one didn’t slip through the net. I’ve worked professionally for about 6 years now and I know it’s not the usual way things are done - to have a direct consultation before a deposit is paid - but I don’t mind doing it for any enquiries where the client is insistent on meeting in person as a condition before making a booking, if it helps - I would never disclose any costs of course but I’m happy to just help them to establish some options and then run it back through the agency if it’s helpful? I’d rather do that than potentially lose a gig!
Anyway, just thought you should know :) in case it’s helpful… I haven’t heard from him since yesterday but I’ll let you know if / how he responds and then I guess would count as a new enquiry.
Cheers
Rory

On 16 Feb 2015, at 22:31, Rory wrote:
Oh! What happened? He seemed pretty much set on booking when we spoke on the phone (I haven’t heard from him since)…
Do you think they will be a chance for them to come back and offer the date again?
Rory Duffy
Freelance Musician

On 16 Feb 2015, at 10:57, Jo wrote:
Hi Samantha,
I hope you are well.
I'm following up on the quotation sent on 29/12/2014, for Rory Duffy, on:
14/08/2015
Unfortunately, the reservation period of 46 days since I sent the quotation has elapsed, so I will assume that Rory Duffy is not needed on this occasion and I will release soon as you can if it is not the case.
Meanwhile, I would like to pass on my thanks to the client for getting in contact, and I wish them all the best for their event.
Thanks_Jo

On 13 Feb 2015, at 09:23, Jo wrote:
Hi Samantha,
I hope you are well.
I'm following up on the quotation sent on 29/12/2014, for Rory Duffy, on:
14/08/2015
Shall we assume that Rory Duffy is not needed on this occasion? Alternatively, I can reserve the date(s) for a further 0 days, until 17:00, 13/02/2015, or until we sign a contract.
Thanks_Jo

On 9 Feb 2015, at 11:04, Jo wrote:
Hi Samantha,
I hope you are well.
I'm following up on the quotation sent on 29/12/2014, for Rory Duffy, on:
14/08/2015
I'm wondering whether the client is still interested in booking, or whether the client had any questions? If the client is still unsure, this is not a the date(s) for a further 4 days, until 17:00, 13/02/2015, or until we sign a contract.
Thanks_Jo

On 28 Jan 2015, at 09:26, Jo wrote:
Hi,
I have extended the reservation period for a further 16 days, until 17:00, 13/02/2015, or until we sign a contract.
Thanks_Jo

On 26 Jan 2015, at 19:57, Rory wrote:
Hi both
I’ve just spoken with James. He’s getting married in Northamptonshire and had the following ideas of music:
- smooth, jazzy, chilled in the background whilst bride & groom walking down the aisle
- light, funky and energetic during the drinks reception / cocktail photos to keep the atmosphere bubbly and lively between dance band and background jazz)
- fully upbeat dance band in the evening
It sounds like he would like to book us for most of the day / evening reception, which would be longer than our usual set and apportion them for slightly longer and send them back to you.
However, he was open to the idea of staggering the lineup throughout the day, e.g., solo saxophone + backing tracks then band joining in for the drinks reception and evening reception.
I also assured him (without quoting costs) that it would be cheaper for him to book 1 artist for longer rather than getting hiring 2 artists).
Discussed the idea of adding a vocalist for the evening reception - but he is just happy with funky, upbeat instrumentals to get everyone dancing and moving. (I did have a couple of ideas re: vocalists who would work well for this sort of gig but I don’t think he needs them). I have an entire jazz-funk packed full of cheeky instrumentals that will get people dancing anyway!
Musical tastes are hip hop, jazz sampling, but he is open to anything funk and soul, Motown, Neo-Soul kinda vibe, with a sprinkling of Latin and flute (I’ll bring both sax and flute). I’m happy to discuss and we will keep in contact directly re: musical / logistical ideas but he will make the booking arrangement with W and Jo will help me with costs… He said he’s going to speak with his fiancée first. Probably best if we wait to see if he comes back with anything e.g., timings before quoting additional costs, Jo?
Hope that all sounds helpful and OK.
Cheers
Rory xx

James
Funky jazz
Smooth and jazzy in the background while walking down the aisle
Ceremony
Cocktail hour during photos
Nice and funky
In the evening, 30 / 45 mins
Hip Hop, jazzy
Funky, jazzy
Funky instrumentals - get everyone dancing and moving
Northamptonshire

On 26 Jan 2015, at 15:52, SM wrote:
Hi Rory,
This client is keen on booking the band but would like to speak with you before confirming? Would you mind having a chat with the client?
Obviously if the client asks about fees or booking just refer him back to myself.
The client's contact number is [contact number].
Best wishes
SM

Begin forwarded message:
From: Jo
Subject: Re: New Enquiry for Fri 14 Aug 2015 from W Entertainment
Date: 26 January 2015 12:02:08 GMT
To: SM
Hi SM,
I hope you are well.
I'm following up on the quotation sent on 29/12/2014, for Rory Duffy, on:
14/08/2015
Shall we assume that Rory Duffy is not needed on this occasion? Alternatively, I can reserve the date(s) for a further 3 days, until sign a contract.
Thanks_Jo

On 19 Jan 2015, at 12:07, Jo wrote:
Hi SM,
I hope you are well.
I'm following up on the quotation that I sent on 29/12/2014, for Rory Duffy, on:
14/08/2015
I'm wondering whether the client is still interested in booking, or whether the client had any questions? If the client is still unsure, this is not a problem, as we are able to reserve the date(s) for a further 10 days, until 17:00, 29/01/2015, or until we sign a contract.
Thanks_Jo

On 12 Jan 2015, at 11:47, Jo wrote:
Hi SM,
I hope you are well.
I'm following up on the quotation that I sent on 29/12/2014, for Rory Duffy, on:
14/08/2015
I'm wondering whether the client is still interested in booking, or whether the client had any questions? If the client is still unsure, this is not a problem, as we are able to reserve the date(s) for a further 17 days, until 17:00, 29/01/2015, or until we sign a contract.
Thanks_Jo

On 6 Jan 2015, at 14:43, Jo wrote:
Hi SM, 
Happy new year. I hope you are well.
I will reserve the date(s) for 23 days, until 17:00, 29/01/2015, or until we sign a contract. This www.redandblackmusic.co.uk/clients.html and on our gig diary distributed every Monday.
Let me know if you have any questions. I look forward to hearing from you soon.
Thanks_Jo

On 29 Dec 2014, at 14:05, Rory wrote:
Hi SM
Jo has passed this one on to me.
I’m available with my jazz band on 14/08/2015. Costs are as follows:
£700 for the 4-piece (sax + piano, bass, drums)
£600 for the 3-piece (sax + EITHER piano and bass OR guitar and percussion )
£400 for the 2-piece (sax + EITHER piano OR guitar)
£250 for the 1-piece (sax + backing tracks)
These include transport, subsistence and sound for up to 135 minutes live music divided into sets. Accommodation may be required if it’s a late one, but happy to negotiate.
We can add a vocalist to make a quintet plus other instruments if required.
Cheers
Rory

On 29 Dec 2014, at 11:20, Jo wrote:
Begin forwarded message:
To: Jo
Subject: New Enquiry for Fri 14 Aug 2015 from W Entertainment
From: SM - W Entertainment
Date: 29 December 2014 11:19:42 GMT 
Hello,
W Entertainment has received an enquiry for the following event and would like to check your availability and gain a quote please:
Act Required: Rory & His Jazz Band
Client Name: James
Event Date: Fri 14 Aug 2015
Type of Event: Wedding
Event Location: Dodford Manor Exclusive Use Country House Barn Wedding Venue, Main Street, Northampton, United Kingdom
Additional Information: 2 x 45 minute sets over a 3 hour period (timings TBC)
If you could let me know as soon as possible if you are available for the event and your fee I will let the client know.
Kind regards
SM

    Blog

    Red & Black Music was set up in 2012 to stop musicians cancelling.

    This blog has been running since 2009 for the purpose of preserving the lessons learned in music management and committing them to account. It transparently documents the internal struggles of running bands, managing relationships and dealing with people; evidencing breaches of communication and accountability both on the artist side and the client side, in an open access format.

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    At Red & Black Music, we believe in accountability = learning from experience. This blog serves as a record of challenges we’ve faced and how we’ve worked to resolve them. By sharing this, we aim to demonstrate our commitment to professionalism, problem-solving, and continuous improvement.

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